Maussaud Moiss

We detach another present universality in the regional one of Cheap Ruy: Bach, pertaining German musician to the rule of classic music. 3) ' ' All were quiet ... ' ' 4) ' ' ... stranger death pain prematura.' ' to what if she can infer of premature, she is that the I-lyric one still died young. 5) ' ' ... I transposed the limb, when I woke up, my father, already was cu.' ' to the limb, a religious concept of eschatological character that it denotes the place for where went the innocent, pure souls, without sins. It is possible to associate limb with the premature death, therefore only, according to doctrine catholic, went for the limb the children and the souls without sin, then, can be believed that the I-lyric one has died still child.

when I woke up, my father, already it was sky, sufficiently clear phrase, my father, symbolizes God, this meeting with God. We perceive, therefore, as common point between two poems the universal subject death and even though certain elements to express it, as the question of classic music, the figure of the piano and the proper feeling of pain of the people with regard to this fact. With regard to this question of plot of poems, Massaud Moiss (2000: 155) weave one sufficiently interesting commentary: The nexus collator of the verbs is of psychological nature, not historical or logical. the scene retraces to a gift that outside hangs of any chronological limitation .... Effectively, we would have beings description that narration, or description in movement. N? other words, what it searchs Maussaud Moiss to explanar concerning the plot of the poetry is that it does not possess a secular ordinance how much to the facts that it describes, as well as does not tell events, a time that is not worried in describing feelings, objects and facts before telling them.